Frithjof Schuon ( ; ; 18 June 1907 – 5 May 1998) was a Swiss philosopher and spiritual leader, belonging to the Traditionalist School of Perennialism. He was the author of more than twenty works in French on metaphysics, spirituality, religion, anthropology and art. He was also a painter and a poet.
With René Guénon and Ananda Coomaraswamy, Schuon was one of the major 20th-century representatives of the philosophia perennis. Like them, he affirmed the reality of an absolute Principle – God – from which the universe emanates, and maintained that all divine revelations, despite their differences, possess a common essence: one and the same Truth. He also shared with them the certitude that man is potentially capable of supra-rational knowledge, and undertook a sustained critique of the modern mentality severed, according to him, from its traditional roots. Following Plato, Plotinus, Adi Shankara, Meister Eckhart, Ibn Arabi and other metaphysicians, Schuon sought to affirm the metaphysical unity between the Principle and its manifestation.
Initiated by Sheikh Ahmad al-Alawi into the Sufism Shadhili order, he founded the Maryamiyya Order. His writings strongly emphasize the universality of metaphysical doctrine, along with the necessity of practising a religion; he also insists on the importance of the virtues and of beauty.
Schuon cultivated close relationships with a large number of personages of diverse religious and spiritual horizons. He had a particular interest in the traditions of the North American Plains Indians, maintaining firm friendships with a number of their leaders and being adopted into both a Lakota people Sioux tribe and the Crow people tribe. Having spent a large part of his life in France and Switzerland, at the age of 73 moved to Bloomington, Indiana, where he had a community of disciples.
At primary school, Schuon met the future author Titus Burckhardt, who remained a lifelong friend.Sedgwick, Mark. Against the Modern World. Oxford University Press. 2004. p. 84 From the age of ten, he began to read the Bible, the Upanishads, the Bhagavad Gita and the Quran, as well as Plato, Emerson, Goethe and Schiller. Schuon would later say that in his early youth four things had always moved him most profoundly: "the holy, the great, the beautiful, the childlike."Michael Fitzgerald, Frithjof Schuon Messenger of the Perennial Philosophy, World Wisdom, 2010, pp. 3, 6
He then began an intense study of the Bhagavad-Gītā and the Vedanta. In 1924, while still living in Mulhouse, he discovered the works of the French philosopher René Guénon, which had a significant impact on his thought, confirming the intuitions of his youth.William Quinn, Dictionary of Gnosis & Western Esotericism, Wouter J. Hanegraaff ed., Brill, 2006, p. 1043 Schuon would later say of Guénon that he was "the profound and powerful theoretician of all that he loved". In 1930, after 18 months in Besançon on military service in the French army, Schuon settled in Paris. There he resumed his profession as a textile designer, and began to study Arabic in the local mosque school.Michael Fitzgerald, Frithjof Schuon Messenger of the Perennial Philosophy, World Wisdom, 2010, p. 26 Living in Paris also gave him the opportunity to be exposed to various forms of traditional art to a much greater degree than before, especially the arts of Asia with which he had had a deep affinity since his youth.Jean-Baptiste Aymard, Frithjof Schuon: Life and Teachings, SUNY, 2002, p. 7
At the end of 1932 he completed his first book, Leitgedanken zur Urbesinnung, which would be published in 1935 and later translated into English under the title Primordial Meditation: Contemplating the Real. His desire to leave the West, whose modern values he rejected, combined with his growing interest in Islam, prompted him to go to Marseille, the great port of departure for the East. There he made the acquaintance of two disciples of Sheikh Ahmad al-Alawī, a Sufi in Mostaganem, Algeria. Schuon saw the sign of his destiny in these encounters, and embarked for Algeria.Jean-Baptiste Aymard, Frithjof Schuon: Life and Teachings, SUNY, 2002, pp. 16–17 In Mostaganem he entered Islam, and spent nearly four months in the Sheikh's zāwiya. The Sheikh gave him initiation and named him `Īsā Nūr ad-Dīn. However, Schuon was soon forced to return to Europe under pressure from the French colonial authorities.Michael Fitzgerald, Frithjof Schuon Messenger of the Perennial Philosophy, World Wisdom, 2010, pp. 32, 34
Schuon did not consider his affiliation to Islam as a conversion, since he did not disavow Christianity; in each revelation he saw the expression of one and the same truth, in different forms. But for him, in the Guenonian perspective that he held at the time, Western Christianity no longer seemed to offer the possibility of following a "path of knowledge" under the guidance of a spiritual master, whereas such a path was still open within the framework of Sufism, Islamic esoterism.Michael Fitzgerald, Frithjof Schuon Messenger of the Perennial Philosophy, World Wisdom, 2010, p. 40Jean-Baptiste Aymard, Frithjof Schuon: Life and Teachings, SUNY, 2002, p. 61
Schuon reported that one night in July 1934, while immersed in reading the Bhagavad-Gītā, the divine Name Allah took hold of him, and that for three days he could do nothing but invoke it ceaselessly. Shortly afterwards, he learned that his Sheikh had died on the same day.Michael Fitzgerald, Frithjof Schuon Messenger of the Perennial Philosophy, World Wisdom, 2010, pp. 36–37Sedgwick, Mark. Against the Modern World. Oxford University Press. 2004. p. 88
In 1935 he returned to the zāwiya of Mostaganem, where Sheikh Adda ben Tounes, Sheikh al-Alawī's successor, conferred on him the function of muqaddam, thus authorizing him to initiate aspirants into the Alawī brotherhood. Returning to Europe, Schuon founded a zāwiya in Basel, another in Lausanne and a third in Amiens. He resumed his profession as a textile designer in Alsace for the next four years.Jean-Baptiste Aymard, Frithjof Schuon: Life and Teachings, SUNY, 2002, pp. 21–22
[[File:Frithjof Schuon with René Guénon in Cairo, 1938.jpg|thumb|left|upright=1.10|
In 1938, Schuon traveled to Egypt, where he met Guénon, with whom he had been in correspondence for 7 years.Michael Fitzgerald, Frithjof Schuon Messenger of the Perennial Philosophy, World Wisdom, 2010, p. 42Sedgwick, Mark. Against the Modern World. Oxford University Press. 2004. p. 92. In 1939, he embarked for India with two disciples, making a long stopover in Cairo, where he saw Guénon again. Shortly after his arrival in Bombay, World War II broke out, forcing him to return to Europe. Serving in the French army, he was interned by the Nazism, who were planning to incorporate all soldiers of Alsatian origin into the German army to fight on the Russian front. Schuon escaped to Switzerland, which was to be his home for forty years.Barbara Perry, "Introduction" in Frithjof Schuon, Art from the Sacred to the Profane, World Wisdom, 2007, p. xivJennifer Casey (ed.), DVD Frithjof Schuon Messenger of the Perennial Philosophy, World Wisdom, 2012, 43'10"Sedgwick, Mark. Against the Modern World. Oxford University Press. 2004. p. 93.
In 1948 Schuon published his first book in French, De l'Unité transcendante des religions. Of this book, T. S. Eliot wrote: "I have met with no more impressive work in the comparative study of Oriental and Occidental religion."Huston Smith, "Providence Perceived: In Memory of Frithjof Schuon", Sophia Journal, Vol. 4, N° 2, 1998, p. 29 All his subsequent works – more than twenty – would be written in French, apart from a major reworking in German of the text of The Transcendent Unity of Religions ( Von der Inneren Einheit der Religionen), published in 1982.
In 1949 Schuon married Catherine Feer, a German Swiss with a French education who, besides being deeply interested in religion and metaphysics, was also a painter.Jean-Baptiste Aymard, Frithjof Schuon: Life and Teachings, SUNY, 2002, p. 35 He received Swiss citizenship shortly after his marriage. While always continuing to write, Schuon and his wife travelled widely. Between 1950 and 1975, the couple visited Morocco about ten times, as well as numerous European countries, including Greece and Turkey, where they visited the house near Ephesus presumed to be the last home of the Virgin Mary.Michael Fitzgerald, Frithjof Schuon Messenger of the Perennial Philosophy, World Wisdom, 2010, pp. 74–75
In the winter of 1953, Schuon and his wife travelled to Paris to attend performances organized by a group of Crow people dancers. They formed a friendship with Thomas Yellowtail, the future medicine man and Sun Dance Chief. Five years later, the Schuons visited the Brussels World's Fair, where 60 Sioux were giving performances on the theme of the Wild West. New friendships were made on this occasion also. 1959 and again in 1963, at the invitation of their Indian friends, the Schuons traveled to the American West, where they visited various Plains Indians and had the opportunity to witness many aspects of their traditions. During the first of these visits, Schuon and his wife were adopted into the Sioux family of Chief James Red Cloud, grandson of Chief Red Cloud, and a few weeks later, at an Indian festival in Sheridan, Wyoming, they were officially received into the Sioux tribe.Michael Fitzgerald, Frithjof Schuon Messenger of the Perennial Philosophy, World Wisdom, 2010, pp. 85, 89Barbara Perry, "Introduction" in Frithjof Schuon, Art from the Sacred to the Profane, World Wisdom, 2007, p. xv Schuon's writings on Native American religion and his paintings of their way of life attest to his affinity with their spiritual universe.Jean-Baptiste Aymard, Frithjof Schuon: Life and Teachings, SUNY, 2002, p. 39
According to Mark Sedgwick, in 1965 Schuon entered into a "vertical" or "spiritual" marriage with one of his married followers. The woman did not dissolve her existing marriage and continued to live with her husband (another follower). This arrangement was not widely known until the late 1980s, although Burckhardt and Lings were aware of it.Sedgwick, Mark. Against the Modern World. Page 153. Schuon took on two other "vertical" wives over the course of the next three decades.Sedgwick, Mark. Against the Modern World. Page 172.
The 1970s saw the publication of three works considered as particularly important by his biographers composed of articles previously published in the French journal Études Traditionnelles. These works have been translated under the titles Logic and Transcendence, Form and Substance in the Religions, and Esoterism as Principle and as Way.Jean-Baptiste Aymard, Frithjof Schuon: Life and Teachings, SUNY, 2002, p. 46Seyyed Hossein Nasr, "Introduction" in The Essential Frithjof Schuon, World Wisdom, 2005, pp. 60–61, 540
Throughout his life, Schuon had great respect for and devotion to the Virgin Mary, and expressed this in his writings and paintings. The significance of the Virgin Mary in Schuon's life and teachings has been studied in detail by American professor James Cutsinger, who relates the two episodes in 1965 when Schuon experienced a Marian grace.James Cutsinger, "Colorless Light and Pure Air: The Virgin in the Thought of Frithjof Schuon", Sophia Journal, Vol. 6, N° 2, 2000, p. 115 Hence the name Maryamiyya ("Marian" in Arabic) of the Sufi tariqa he founded as a branch of the Ahmad al-Alawi-Darqawiyya-Shadhili order.Michael Fitzgerald, Frithjof Schuon Messenger of the Perennial Philosophy, World Wisdom, 2010, pp. 99, 83
Thomas Yellowtail remained Schuon's intimate friend until his death in 1993, visiting him every year and adopting him into the Crow tribe in 1984. During these sojourns, Schuon and some of his followers organized what they called "Indian Days", in which Native American dances were performed,Renaud Fabbri, Frithjof Schuon: The Shining Realm of the Pure Intellect, MA diss., Miami University, 2007, p. 30 leading some to accuse him of practicing ritual nudity.Arthur Versluis, American Gurus, Oxford University Press, 2014, p. 170 [2] These gatherings were understood by disciples as a sharing in Schuon's personal insights and realization, not as part of the initiatic method he transmitted, centered on Islamic prayer and the dhikr.Jean-Baptiste Aymard, Frithjof Schuon: Life and Teachings, SUNY, 2002, p. 62Jean-Baptiste Aymard, "Approche biographique", Connaissance des Religions Journal, Numéro Hors Série Frithjof Schuon, 1999, p. 61
In 1991, following an allegation by a former follower, Schuon was indicted for "sexual battery and child molestation.”Ohlander, Erik. S., in Curtis, Edward E. (ed.), Encyclopedia of Muslim-American History. Infobase Publishing, 2010. Page 503. However, a few weeks later the case was dropped. The prosecutor stated that there was “not one shred of evidence” aside from the follower's testimony and that “Insofar as Schuon has been labeled, a miscarriage has occurred.”Andrew Welsh-Huggins, "Abuse Charges Aired, Denied", The Herald-Times, Bloomington, Indiana, October 16, 1991 [4]Kurt Van der Dussen, "Schuon indictments dropped", The Herald-Times, Bloomington, Indiana, November 21, 1991 [5] Despite the dismissal, the incident led some followers to leave the Maryamiyya Order and negatively affected Schuon’s reputation within Traditionalist and Sufi circles.Sedgwick, Mark. Against the Modern World. Oxford University Press. 2004. pp. 174 ff. "Rumors of events at Inverness Farms began to spread across the Traditionalist community in Europe, and into Western and Islamic Sufi circles beyond Traditionalism. Members of the Inverness Farms community attempted to prevent this spread...The damage, however, had been done...Some people, however, left the Maryamiyya for other Sufi orders such as the original Algerian Alawiyya, and some left Islam for other religions or for none..."
In 1992, at the age of 85, Schuon retired from directing the Maryamiyya order.Sedgwick, Mark. Against the Modern World. Oxford University Press. 2004. pp. 174 ff. He continued to receive visitors and maintain a correspondence with followers, scholars and readers. In the last years of his life, he wrote a major collection of over three thousand lyrical "teaching-poems" ( Lehrgedichte), which combine metaphysics and spiritual counsel, as well as reminiscences of his life. Like the poems of his youth, these were written in his native German, following a series in Arabic and another in English.Michael Fitzgerald, Frithjof Schuon Messenger of the Perennial Philosophy, World Wisdom, 2010, pp. 131–132 They are a poetic synthesis of his philosophical and spiritual message,Patrick Laude, Frithjof Schuon: Life and Teachings, SUNY, 2002, p. 115 which is articulated around four key elements: "truth, prayer, virtue and beauty".William Stoddart, "Introduction" in World Wheel: Poems by Frithjof Schuon, Vol. I, World Wisdom, 2006, p. x Less than two months before his death on 5 May 1998 at the age of 90, Frithjof Schuon wrote his last poem:Jean-Baptiste Aymard, Frithjof Schuon: Life and Teachings, SUNY, 2002, pp. 52, 54 Das Weltrad VII, CXXX
''World Wheel VII, CXXX''Frithjof Schuon, ''World Wheel, Volumes VI-VII'', World Wisdom, 2006, p. 167[http://www.frithjofschuon.info/english/library/read_poetry.aspx?Category=World+Wheel+VII]
oil painting by F. Schuon, 1959
In Survey of Metaphysics and Esoterism, Schuon comments on the three notions of perennial philosophy ( philosophia), perennial wisdom ( sophia) and perennial religion ( religio) to show both their concordance and their particularities:
The term philosophia perennis, which appeared as early as the Renaissance and was used extensively by neo-scholasticism, designates the science of the fundamental and universal ontology principles; a science that is immutable like these principles themselves, and primordial by the very fact of its universality and infallibility. We would readily use the term sophia perennis to indicate that this is not a matter of "philosophy" in the standard and approximative meaning of the word – suggesting mere mental constructions springing from ignorance, doubt, and conjectures, indeed from the taste for novelty and originality – or we could also use the term religio perennis when referring to the operative side of this wisdom, thus its mystical or initiatic aspect.Frithjof Schuon, Sur les traces de la religion pérenne, Le Courrier du Livre, 1982, p. 9
For Laude, it is not the notion of the "transcendental unity of religions" that primarily characterizes Schuon's teaching, but rather "a reformulation of the sophia perennis, or religio perennis, conceived as the conjunction of a metaphysical doctrine and a means of spiritual realization".Patrick Laude, Keys to the Beyond, Frithjof Schuon's Cross-Traditional Language of Transcendence, SUNY, 2020, p. 351
The metaphysics expounded by Schuon is based on the doctrine of what the Hindu Advaita Vedanta refers to as Ātmā and Māyā. Ātmā ( Ātman) is the Self, both transcendent and immanent; in correlation with Māyā, Ātmā designates the Real, the Absolute, the Principle, Beyond Being, Brahma ( Brahman); and Māyā the illusory, the relative, manifestation.Thierry Béguelin, "Glossary" in Frithjof Schuon, Towards the Essential: Letters of a Spiritual Master, The Matheson Trust, 2021, pp. 251, 254 Schuon develops this metaphysical principle, notably in Form and Substance in the Religions, basing himself on the Sufi doctrine of the degrees of reality, known as "The Five Divine Presences":Harry Oldmeadow, Frithjof Schuon and the Perennial Philosophy, World Wisdom, 2010, p. 52-54.
1. Ātmā: Beyond-Being, Impersonal Divinity, Supreme Principle, Absolute Reality, Essence, Para Brahman.
2. Māyā in divinis (the "relative Absolute", " Ātmā as Māyā"): Being, Personal God, creating Principle, uncreated Spirit, saguna Brahman, Ishvara.
3. Supra-formal manifestation: created Spirit (Intellect, Logos, Buddhi), paradise, angels.
4. Subtle or animic manifestation: the world of the soul and the "spirits" (, , salamanders, , etc.).
5. Gross or material manifestation: the visible world.
In the human being (the microcosm) the five degrees, ordered inversely, correspond to the body and the sensorial, mortal soul (5); the supra-sensorial, immortal soul (4); the created spirit (or intellect) (3); the uncreated spirit (or intellect) (2); the absolute and infinite Self (1).Harry Oldmeadow, Frithjof Schuon and the Perennial Philosophy, World Wisdom, 2010, p. 53 ff.Jean Biès, "Frithjof Schuon et la primordialité hindoue" in Dossiers H : Frithjof Schuon, L’Âge d’Homme, 2002, pp. 59–62 The presence of the three superior degrees in man "made in the image of God" confers upon him the possibility of a knowledge that transcends the limitations of subjectivity, thus in principle allowing him to "see things as they are", that is, objectively: this is gnosis.Tage Lindbom, "Frithjof Schuon and Our Times", Sophia Journal, Vol. 4, N° 2, 1998, pp. 84–86
As did Plato in ancient Greece, Adi Shankara in Hinduism, Meister Eckhardt and St Gregory Palamas in Christianity and Ibn Arabī in Islam – to name some examples –, Schuon attests that the essential discernment in metaphysics is that between the Real and the non-real (the illusory), Ātmā and Māyā.William Stoddart, "Lossky's Palamitism in the Light of Schuon", Sacred Web Journal, Vol. 6, 2000, pp. 23–24 He emphasizes that the Real, or Beyond Being, which is absolute and infinite, is the essence of all good (the Sovereign Good).Patrick Laude, Keys to the Beyond, Frithjof Schuon's Cross-Traditional Language of Transcendence, SUNY, 2020, pp. 162–163 As St Augustine held, it is in the nature of the Good ( Agathôn) to radiate,Harry Oldmeadow, Frithjof Schuon and the Perennial Philosophy, World Wisdom, 2010, p. 62. hence the projection of Māyā, which is simultaneously divine ( Īshvara), celestial ( Buddhi and Svarga) and "earthly", the latter including the domain of transmigration (Samsara).Frithjof Schuon, Survey of Metaphysics and Esoterism, World Wisdom, 1986, p. 67 Every good offered by the world comes from the radiation of the Sovereign Good, every evil comes from Its remoteness. Mâyâ both veils and reveals God, the Absolute.
For Schuon, integral metaphysics – which starts from the distinction between Ātmā and Māyā (the Absolute and the relative) – is the very substance of pure esoterism.Timothy Scott, "The Elect and the Predestination of Knowledge: ‘Esoterism’ and ‘Exclusivism’: A Schuonian Perspective" in Esotericism and the Control of Knowledge, The University of Sydney, 2004, p. 3 To the metaphysical doctrine must be joined a method of realizationFrithjof Schuon, Survey of Metaphysics, World Wisdom, 1986, p. 115 because, as Patrick Laude points out :
The esoteric perspective is not reducible to a conceptual understanding, since it is essentially an intellective and "existential" conformity to Reality or a spiritual and moral assimilation of the nature of things. As Frithjof Schuon has often reminded us, to know is to be. Lived esoterism is, at its apex, the wisdom in which being and knowing coincide.Patrick Laude, "Remarques sur la notion d’ésotérisme chez Frithjof Schuon", Connaissance des religions Journal, 1999, p. 216There is therefore continuity between exoterism and esoterism when the latter appears as the inner dimension of the former and consequently adopts its "language", and there is discontinuity when esoterism transcends all religion:Harry Oldmeadow, "The Heart of the Religio Perennis, Frithjof Schuon on Esotericism" in Esotericism and the Control of Knowledge, The University of Sydney, 2004, pp. 5–7 this is the religio perennis, the timeless, essential, primordial and universal esoterism.Thierry Béguelin, "Glossary" in Frithjof Schuon, Towards the Essential: Letters of a Spiritual Master, The Matheson Trust, 2021, p. 255 It constitutes "the transcendent unity of religions" and is based, methodically, on one of the revelations while having as its object the one Truth common to all of them.Seyyed Hossein Nasr, "Introduction" in The Essential Frithjof Schuon, World Wisdom, 2005, pp. 15–16
Schuon considers that "the whole of Sufism ... can summed up in these four words: Haqq, Qalb, Dhikr, Faqr : "Truth," "Heart," "Remembrance," "Poverty."Seyyed Hossein Nasr, The Essential Frithjof Schuon, World Wisdom, 2005, p. 301
Schuon held that religious or spiritual life offers three fundamental paths, which correspond to as many human temperaments: 1) the path of action, works, asceticism, fear (the Karma yoga of Hinduism); 2) the path of love, of devotion (Bhakti yoga); and 3) the path of gnosis, of unitive contemplation (Jnana yoga); in Sufism: makhāfah, mahabbah, ma`rifah. The first two are dualistic and exoteric, and are based on revelation, whereas the path of knowledge is Monism and esoteric, and based on intellectionFrithjof Schuon, In the Face of the Absolute, World Wisdom, 1989, pp. 197–198 supported by revelation.Seyyed Hossein Nasr, "Introduction" in The Essential Frithjof Schuon, World Wisdom, 2005, p. 32 Just as the path of love cannot do without good works and reverential fear, so the esoteric or metaphysical path cannot exclude the two other modes.
According to Schuon, the path of knowledge or of gnosis, which is present at the heart of every religion, is essentially: 1) discernment between the Real and the illusory, ātmā and māyā, Nirvana and samsāra, the Absolute and the relative, God and the world; 2) concentration on the Real, and 3) intrinsinc morality, virtue.Jesús García-Varela, "The Role of Virtues According to Frithjof Schuon", Sophia Journal, 1998, Vol. 4, N° 2, p. 171Michael Fitzgerald, "Introduction" in Frithjof Schuon Messenger of the Perennial Philosophy, World Wisdom, 2010, p. xx This discernment would remain purely mentalHarry Oldmeadow, Frithjof Schuon and the Perennial Philosophy, World Wisdom, 2010, pp. 298–299 in the absence of concentration on the Real through rites and prayer,Patrick Laude, "Remarks on Esoterism in the Works of Frithjof Schuon", Sacred Web Journal, Vol. 4, 1999, p. 59James Cutsinger, Advice to the Serious Seeker: Meditations on the Teaching of Frithjof Schuon, SUNY Press, 2012, p. 195 i.e. without an effective link with God, the Sovereign Good, based on an authentic piety and sufficient detachment from the ego and from the world.Reza Shah-Kazemi "Frithjof Schuon and Prayer", Sophia Journal, Vol. 4, N° 2, 2000, pp. 181–182 The way towards God, as Schuon states, "always involves an inversion: from outwardness one must pass to inwardness, from multiplicity to unity, from dispersion to concentration, from egoism to detachment, from passion to serenity."Frithjof Schuon, Esoterism as Principle and as Way, Perennial Books, 1981, p. 140
Schuon emphasizes that the exoteric and esoteric rites of the religion practised – and of that one alone – are the basis for the spiritual method.Seyyed Hossein Nasr, "Frithjof Schuon et la tradition islamique", Connaissance des Religions Journal, Numéro Hors Série Frithjof Schuon, 1999, p. 124 Prayer is its central element, for without it – and without divine grace – the heart cannot assimilate or realize what the mind has been able to grasp.Reza Shah-Kazemi "Frithjof Schuon and Prayer", Sophia Journal, Vol. 4, N° 2, 2000, pp. 180–181, 184, 191 Schuon identifies three modes of prayer: personal prayer in which the worshipper opens himself spontaneously and informally to God; canonical, impersonal prayer, prescribed by his tradition; and invocatory prayer or "prayer of the heart" ( japa, dhikr),Reza Shah-Kazemi "Frithjof Schuon and Prayer", Sophia Journal, Vol. 4, N° 2, 2000, p. 183 ff. which "is already a death and a meeting with God and places us already in Eternity; it is already something of Paradise and even, in its mysterious and 'uncreated' quintessence, something of God".Seyyed Hossein Nasr, The Essential Frithjof Schuon, World Wisdom, 2005, p. 121 This form of prayer is the invocation of a divine name, a sacred formula, a mantra; it reconciles the transcendence and the immanence of Truth,Ali Lakhani, "A Commentary on the Teachings of Frithjof Schuon", Sacred Web Journal, Vol. 20, 2007, p. 12 because if, on the one hand, Truth transcends us infinitely,Frithjof Schuon, Esoterism as Principle and as Way, Perrenial Books, 1981, p. 238 the gnostic, asserts Schuon, knows that it is also "inscribed in an eternal script in the very substance of his spirit";Frithjof Schuon, Light on the Ancient Worlds, World Wisdom, 1984, p. 136 God is both the highest and the deepest,Ali Lakhani, "A Commentary on the Teachings of Frithjof Schuon", Sacred Web Journal, Vol. 20, 2007, p. 13 and the knowledge the realized being has of God is in reality the knowledge that God has of Himself through that being.Patrick Laude, "Remarks on Esoterism in the Works of Frithjof Schuon", Sacred Web Journal, Vol. 4, 1999, pp. 63–64
To the awareness of divine beauty must correspond not only inner beauty, that is to say virtues, but also the sense of outer beauty, whether in the contemplation of natureSeyyed Hossein Nasr, "Introduction" in The Essential Frithjof Schuon, World Wisdom, 2005, pp. 37–38 or in artistic sensibility,Harry Oldmeadow, Frithjof Schuon and the Perennial Philosophy, World Wisdom, 2010, p. 151 without forgetting the interiorizing role of a traditional home ambiance made of beauty and serenity, foreign to the whims of modernity.Michael Fitzgerald, "Introduction" in Frithjof Schuon Messenger of the Perennial Philosophy, World Wisdom, 2010, p. xxxi "Beauty, whatever use man may make of it, belongs fundamentally to its Creator, Who thereby projects into the world of appearances something of His Being." For Schuon, these considerations find their source and justification in the theomorphic nature of man,Timothy Scott, "“Made in the Image”: Schuon's theomorphic anthropology", Sacred Web Journal, Vol. 20, 2007, p. 193 a changeless, non-evolutive nature, contrary to what modern science may think.James Cutsinger, Advice to the Serious Seeker: Meditations on the Teaching of Frithjof Schuon, SUNY Press, 2012, p. 115
Regarding modern science, in spite of the scale of its discoveries on the physical plane, Schuon reproaches it for being "a totalitarian rationalism, which eliminates both Revelation and Intellect, and at the same time a totalitarian materialism, which ignores the metaphysical relativity of matter and the world;Harry Oldmeadow, Frithjof Schuon and the Perennial Philosophy, World Wisdom, 2010, p. 214 it does not know that the supra-sensible, which is beyond space and time, is the concrete principle of the world, and that it is consequently also at the origin of that contingent and changeable coagulation called 'matter'".Frithjof Schuon, Light on the Ancient Worlds, World Wisdom, 2006, p. 98 Thus, still according to Schuon, the contradiction of scientism is to "want to give an account of reality without the help of this initial science that is metaphysics, thus ignoring that only the science of the Absolute gives meaning and discipline to the science of the relative".Seyyed Hossein Nasr, The Essential Frithjof Schuon, World Wisdom, 2005, p. 507 This conception of a universe which ignores as much the principle of "creative emanationism" as much as that of the "hierarchy of the invisible worlds", has engendered "that most typical offspring of the modern spirit", the theory of evolution, with its corollary: the illusion of "human progress".Frithjof Schuon, Form and Substance in the Religions, World Wisdom, 2002, p. 63
Schuon's criticism extends to philosophy – "the love of wisdom" – which was originally the fact of "thinking according to the immanent Intellect and not by reason alone".Frithjof Schuon, Sufism, Veil and Quintessence, World Wisdom, 2006, p. 90 It "is the science of all fundamental principles". It operates with intellectual intuition – intellection – "which perceives, and not with reason alone, which concludes", hence the abyss that separates the certainty of the sage from the opinion of the modern philosopher.Frithjof Schuon, The Transfiguration of Man, World Wisdom, 1995, p. 3
For Schuon, there are ultimately only two possibilities: "integral, spiritual civilization, implying abuses and superstitions, and fragmentary, materialistic, progressivist civilization, implying – quite provisionally – certain earthly advantages, but excluding that which constitutes the sufficient reason and final end of all human existence".Frithjof Schuon, The Eye of the Heart, World Wisdom, 1997, p. 62
Evoking the transition from the Middle Ages – with its Byzantine art, Romanesque art and primitive Gothic art artsFrithjof Schuon, Spiritual Perspective and Human Facts, Perennial Books, 1987, p. 38 – to the Renaissance, Schuon notes that "Christian art, which formerly was sacred, symbolical, spiritual", gave way to the advent of neo-classical art, with its naturalistic and sentimental character, which only responded "to collective psychic aspirations".Frithjof Schuon, The Transcendent Unity of Religions, Quest Books, 1993, p. 63Martyn Amugen, The Transcendental Unity of Religions and the Decline of the Sacred, Lap Lambert, 2016, p. 71 Amugen, referring to Schuon, reports that art, having broken with tradition, became "human, individualistic, and therefore arbitrary", infallible signs of decline,Martyn Amugen, The Transcendental Unity of Religions and the Decline of the Sacred, Lap Lambert, 2016, p. 70 and any desire to restore its sacred character must necessarily involve abandoning individualistic relativism in order to go back to its sources, which lie in the timeless and the immutable.Martyn Amugen, The Transcendental Unity of Religions and the Decline of the Sacred, Lap Lambert, 2016, pp. 87–88, 114
Summarizing Schuon, Scott reminds us that nudity represents the norm – primordial man was naked, primitive peoples are also naked –Timothy Scott, "“Made in the Image”: Schuon's theomorphic anthropology", Sacred Web Journal, Vol. 20, 2007, p. 218 and that it "symbolizes quintessential esoterism ..., the Truth unveiled",Timothy Scott, "“Made in the Image”: Schuon's theomorphic anthropology", Sacred Web Journal, Vol. 20, 2007, pp. 216, 219 the ordinary garment then representing exoterism. In his biography of Schuon, after noting the convergences of views that unite Schuon, Rūzbehān, Omar Khayyam, and Henri Corbin regarding the spiritual significance of nudity, Jean-Baptiste Aymard quotes this excerpt from a letter by Schuon: "Given the spiritual degeneration of humanity, the highest possible degree of beauty, which belongs to the human body, could not play a part in ordinary piety; however this theophany may be a support in esoteric spirituality, and this is shown in the sacred art of the Hindus and the Buddhists. Nakedness signifies inwardness, essentiality, primordiality and consequently universality ...; the body is the form of the Essence and thus the essence of form".Jean-Baptiste Aymard, Frithjof Schuon: Life and Teachings, SUNY, 2002, pp. 73–74
In an interview published in 1996 by the American magazine The Quest: Philosophy, Science, Religion, The Arts, Schuon develops the sacredness of nudity:
In a published passage from his largely unpublished Memoirs, Schuon remarks "how contemptible is the neo-pagan and atheistic cult of the body and of nudity. What is in itself noble in nature is good for us only in its function as a support for the supernatural; cultivated apart from God, it readily loses its nobility and becomes a humiliating fatuity, as the stupidity and ugliness of worldly nudism precisely prove".Ghislain Chetan, Frithjof Schuon, par "l'amour qui meut le soleil et les autres étoiles", Hozhoni, 2018, pp. 102–103
Schuon was a frequent contributor to the quarterly journal Studies in Comparative Religion (along with Guénon, Coomaraswamy, Titus Burckhardt, Nasr, Martin Lings, and many others) which dealt with religious symbolism and the Traditionalist perspective.
Sophia (Oakton/VA, U.S.A.)
Virtue
is above all to be without the fault that is contrary to it, for God created us virtuous. He created us in His image; faults are superimposed. Moreover, it is not we who possess virtue, it is virtue which possesses us. ... Virtue is like a reverberation of the Sovereign Good, in which we participate through our nature or through our will, easily or with difficulty, but always by the grace of God.Michael Fitzgerald, Frithjof Schuon Messenger of the Perennial Philosophy, World Wisdom, 2010, p. 155
For Schuon, humility, charity and veracity, that is to say effacement of the ego, gift of self and attachment to truth, are essential virtues, corresponding to the three stages of the spiritual path: purification, expansion and union.Harry Oldmeadow, Frithjof Schuon and the Perennial Philosophy, World Wisdom, 2010, p. 304 Moreover, the sense of our littleness, the sense of the sacred and piety are indispensable conditions for the blossoming of the virtues.Patrick Casey, Frithjof Schuon, Echoes of Perennial Wisdom, World Wisdom, 2012, pp. 35–36 Summarizing the author, James Cutsinger notes that perfect virtues coincide with metaphysical truths; they realize these truths existentially.James Cutsinger, Advice to the Serious Seeker: Meditations on the Teaching of Frithjof Schuon, SUNY Press, 2012, p. 60 In other words, as Schuon points out: "truth is necessary for the perfection of virtue, just as virtue is necessary for the perfection of truth".Frithjof Schuon, Spiritual Perspectives and Human Facts, World Wisdom, 2007, p. 75
Beauty
Developments
Criticism of modernism
Sacred art
Echoing Schuonian thought, Cutsinger notes that the various forms of sacred art have as their object the "transmission of intellectual intuitions", thus conferring "a direct aid to spirituality", and he notes that this art "is able to transmit simultaneously metaphysical truths, archetypal values, historical facts, spiritual states, and psychological attitudes".James Cutsinger, Advice to the Serious Seeker: Meditations on the Teaching of Frithjof Schuon, SUNY Press, 1997, p. 127
Sacred nudity
In an altogether general way, nudity expresses – and virtually actualizes – a return to the essence, the origin, the archetype, thus to the celestial state: "And it is for this that, naked, I dance", as Lalleshwari, the great saint, said after having found the Divine Self in her heart. To be sure, in nudity there is a de facto ambiguity because of the passional nature of man; but there is not only the passional nature, there is also the gift of contemplativity, which can neutralize this, as is precisely the case with "sacred nudity". Thus there is not only the seduction of appearances, there is also the metaphysical transparency of phenomena which permits us to perceive the archetypal essence through the sensory experience. When the saintly bishop Nonnos beheld St. Pelagia entering the baptismal pool naked, he praised God that He had not put into human beauty just a cause of downfall, but also an opportunity for elevation towards God. Quest Magazine, Vol. 9, No. 2, Summer 1996, p. 78
Legacy
Works
Philosophy (translated from French)
Poetry
Written in English
Translated from German
Written in German (no translation)
Paintings
Anthologies of Schuon's writings
See also
Notes
Further reading
Books
Chapters in books
Articles in journals
DVDs and online videos
External links
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